Erndl demonstrates how this mythic cycle juxtaposes the conflicting photographs in the goddess: evidently chaste and benign in the public Vaiṣṇava pilgrimage cult and bloodthirsty within the remaining-handed tantricism exemplified by her would-be rapist Bhairava-nātha. The general performance for this raga is solemnly significant. The raga comes across to be https://www.youtube.com/@Goldiemadanji